Los Angeles California Temple |
10th operating temple |
Phone Number: 310-474-5569.
Site: 13 acres.
Exterior Finish: Covered with 146,000 square feet of Mo-Sai stone facing, a mixture of crushed quartz and white Portland cement quarried in Utah and Nevada. The wainscot around the exterior is Rockville granite from Minnesota.
Temple Design: Modern, single-tower design.
Number of Rooms: Four progressive-style ordinance rooms and ten sealing.
Total Floor Area: 190,614 square feet.
Groundbreaking and Site Dedication: 22 September 1951 by David O. McKay
Public Open House: 19 December 1955–18 February 1956
Dedication: 11–14 March 1956 by David O. McKay
The 257-foot high Los Angeles California Temple looms over famous Santa Monica Boulevard in West Los Angeles. The spacious grounds are filled with a dazzling array of foliage including—to name a few—Canary Island Pine trees, several varieties of palm trees, Bird of Paradise trees, olive trees, and rare Chinese Ginkgo trees. Two fountains, a large reflection pool, and several family-themed statues further beautify the grounds. North of the temple, is a public visitors' center that showcases a representation of Thorvaldsen's Christus and also houses the popular Los Angeles Regional Family History Center. The temple grounds are all aglow at Christmastime when thousands of multi-colored lights decorate the numerous trees and features.
The Los Angeles California Temple was the first temple built in California.
The Los Angeles California Temple was the first temple designed with a priesthood assembly room and angel Moroni statue since the Salt Lake Temple.
At the time of its construction, the Los Angeles California Temple was the largest temple of the Church. (The Salt Lake Temple later reclaimed the title with its additions and annexations.)
The Los Angeles California Temple was the last temple designed for live-acting presentation of the endowment.
The Los Angeles California Temple features hand-painted murals on the walls of its progressive-style ordinance rooms: Creation Room, Garden Room, World Room, Terrestrial Room (no murals), and Celestial Room (one of only two temples with Celestial Room murals—the other is the Idaho Falls Idaho Temple).
The land for the Los Angeles California Temple was purchased from Harold Lloyd Motion Picture Company on March 23, 1937.
World War II delayed construction of the Los Angeles California Temple for many years. During that time, plans for the temple were revised to include a priesthood assembly room and to accommodate a unprecedented 300 patrons per session.
**The statue of the angel Moroni, which was installed on the Los Angeles California Temple to face southeast as the temple does, was later turned to face due east at the request of Church President David O. McKay.
The Los Angeles California Temple is one of five temples featuring an angel Moroni statue holding the gold plates. (The other four temples are the Washington D.C. Temple, Jordan River Utah Temple, Seattle Washington Temple, and México City México Temple.)
The Los Angeles California Temple closed for 10 weeks in its 25th anniversary year, 1981, for remodeling and refurbishment. The addition of two rooms and audio visual equipment allowed sessions to begin every half hour in a stationary motion-picture presentation of the endowment.
In 2003, the Los Angeles California Temple reverted back to a progressive-style presentation of the endowment (still using film). The Terrestrial Room was completely renovated.
In November 2005, the Los Angeles California Temple closed for a seismic overhaul and renovation of the baptistry, reopening July 11, 2006—the same year as the 50th anniversary of the dedication of the temple.
The 15½-foot figure of the angel Moroni, sculpted by Millard F. Malin, was placed atop the temple in October 1954. During one of his frequent visits to the temple, President David O. McKay noticed that the angel faced southeast as did the temple. He informed architect Edward O. Anderson "that it was not correct in that position…that the angel must face east." The angel had generated much conversation among the neighbors, and one indicated, perhaps tongue in cheek, that she "certainly never would be interested [in learning more about the Church] until the angel faced her home." One morning she awoke to find the statue "was looking directly at her place." Brother Anderson had followed President McKay's instructions to turn the angel.1
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